Creating a home photo studio can be fun and pocket-friendly.and its don't need to be a complicated All you need is  some necessary photography equipment, the knowledge to use them correctly, and then hurrah!! Your own photo studio is all set to draw in customers or to shoot your baby first portfolio or your inhouse business products.

Follow these  small tips to help make your own home photo studio space for you, not the other way around! And don’t miss out on the recommended home studio gear list at the bottom.

1)Have a deditaed Space:-


An ideal home photo studio setup should have its own dedicated space where all your photography equipment can hang out. Your family does not want to feel like they are tripping over your gear and constantly needing to move it around to accommodate daily living. Having this dedicated space is also important because you don’t want your clients to feel like they have just invaded your personal space. This creates a subtle tension in the room and ultimately someone is bound to be uncomfortable. Whether it is you or your client, the discomfort will show up in the photos.


Another bonus to having a dedicated space is that you can close off the rest of the house while you are doing a shoot. You want to isolate your shoot from the cartoons playing on the T.V. or restless children running through the house. Those distractions take your focus away from where your attention needs to be: on the client and the technical execution of the photos you are taking.


While having this dedicated space might be difficult to arrange, it is absolutely worth the effort. Evaluate your situation, think creatively, and see what you are able to do inside your own home to make it happen. You’ll be glad you did.


2)Go Online Creating a home studio needs wise planning of your budget and sticking to it. The best way to buy your desired equipment is to go online, check out the different varieties, and compare the prices in different sites. You can then finally zero in on the site that offers the best prices and discounts. offer a wide range of photography equipment.

3)Settle on Natural Backgrounds

An in-house photo studio gives you the liberty to experiment with backgrounds. If you want a plain and coloured backdrop, you can simply use the wall or a rolled paper but sometimes your client might like to go for a more natural background- may be a drawing room or living room setup. Here your own home assortments can be made useful. 


4) Color of the Wall

Vibrant and bright coloured walls should be an absolute no-no. Go for more neutral colors that won’t bounce back the light and give you a picture perfect shot.

While depth of the room is a serious limitation, don’t overlook the height of the ceiling. If you have a low ceiling, you can be sure light will bounce off it. The ceiling effectively becomes a giant reflector board, adding light that you didn’t even think about. You will have to work with your studio setup to learn how the light behaves and what it takes to avoid having too much light bounce off the ceiling.


5) Using Window Light

Window light simply refers to the light that comes through your window and into the room. There are pros and cons to having a window in your home studio. Assuming the window is placed in an ideal location in the room, when used properly it can be a great benefit to your studio.

The biggest problem that is mostly likely to cause distraction in an in-house photo session is the presence of ambient light. It is necessary to regulate the amount of light entering the room so as to improve your photography. Perfect lighting can be achieved by the strategic use of flash, reflectors, tents, etc. When going for natural window light, you need to know the kinds and their effects and then position the subject accordingly. For window lighting in photography, usually diffused light is preferred to direct or backlight.




There are a lot of studio lights to choose from that claim to do certain things to help you with flash photography. The basic types of lights you want will be one of these three:


Constant Lights
These are lights that are on all the time. (Pretty much a fancy word for a lamp.) These are nice because you can instantly see how the light will fall on the subject. However, they often lack the brightness and power that you can find in a speedlight or strobe.


Constant lights are not very portable or much good outside. Before getting a set of constant lights, consider these other, more versatile lights.


These are compact flashes that are easy to set up. The best way to use these lights is in conjunction with radio triggers and receivers. This allows you to use them off-camera and not be tethered by cords as you move the lights around the studio. You can also take these lights with you anywhere because they are so small.


Studio Strobes
A studio strobe is a high powered flash that plugs into the wall. These are a dream when compared to the speedlight and constant light, but they come with a high price tag. They have great output and an incredible recycle time that is sure to never slow you down. Studio strobes are often a photographer’s choice for any studio setup if their budget allows. The downside to these lights is that they are heavy and need to be plugged in all the time.

7)Light Modifier 

A light modifier controls the effect the light has coming from the flash. You can choose from umbrellas, soft boxes, beauty dishes, strip banks, flash benders, and more. There are a lot out there to choose from, and they come in all different sizes.

To keep things simple, this list will only focus on the two major light modifiers that you can buy to use with any of the three lights discussed above.

Umbrellas are intended to spread light. This is a nice choice if you are trying to light a large area or a group of people. You have little control over where the light goes because as far as the umbrella is concerned, you are not trying to limit its reach.

There are different types of umbrellas out there, but for a home studio purpose, stick with a white shoot-through umbrella or a small silver reflective umbrella. These are highly portable and very cheap depending on what you get.

A softbox gives you greater control over the direction of the light. These are often seen on constant lights, but they can be attached to speedlights and studio strobes as well. Softboxes are more expensive to get into and less portable than umbrellas. However, you get better control over the light so these are great for smaller studio situations where you’re trying to keep the light from going everywhere.

Check one more indepth article on how to build home photostudio:-