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Lighting With LED video light panels

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Due to their ease of use, LED video light panels are becoming more popular than ever before.

Ensure that you’re using them efficiently by obeying these filmmaking tips. I’ve mixed feelings of shooting with LED panels. On one hand, they are incredibly convenient, effective, and simple to establish. But at precisely the exact same time, there are a number of undeniable drawbacks to working together.

Particular LED video light panels may lead to colour casting in footage, that they have a tendency toward flickering, and the grade of light itself is not as satisfying to the eye because tungsten or HMI light (in my opinion), until it’s modified. On little sets, I truly have never appreciated working with generators since they are awkward to manage, expensive, and they are sometimes extremely noisy — that of course is an issue for sound.

LED panels, on the other hand, can be powered using one V-Mount battery, which then solves the noise matter. And of course that they stay cool once you’re working together, making alterations and teardown a cinch. With all this said, I truly do believe the advantages of shooting with LED panels outweigh the downsides. They’re so light and portable and will effectively permit you to shoot well in almost any circumstance. In years ago, in the event that you had to get a night scene at an extremely dark outdoor surroundings (let us say a forest or a beach) you would not have any option but to rent a generator.

So, for those of you that enjoy working with LED lighting, but still want the cinematic look — this post full of LED-based filmmaking tips is for you. Throughout the rest of the article, I’m going to outline my top few tips for working with LED panels.

1. Always use a modifier

Use soft box or filter always use as a  modifier to soften the light up. You may want to use a softbox diffuser on your LED panels, or you may just utilize some silks or dip the light. Here is Tom Antos discussing economical and simple soft boxes as well as the benefits of working together: LED panels (like lots of other light sources) do not usually generate very pleasing outcomes when used directly. To put it differently, if you were to use LED directly and point it to your subject, the total quality of the light quality is not likely to be exactly what you’re searching for. Many company movies, events, along with many budget productions house use the LED wrongly and produce very cheap quality video just because they don’t use LED video light correctly.

Many LED video light panels nowadays have the choice of dimming the brightness down, which is a superb feature to have as it functions. The issue however, is that dimming does not always work nicely and lots of LED panels tend toward flickering if they are not operating at full blast.

This is not always the situation. A few of the high end LEDs perform a phenomenal job of keeping consistent brightness when dimmed down to some level, but in precisely the exact same time, lots of LED panels do suffer with this matter. At times the result is so subtle that you almost do not even notice it while shooting, but then from the editing space it will become evident. Constantly test your LED panels just as much potential in front of a take to understand if and where the breaking point is.

2. Do your homework before buying

As I said in the at earlier stage, all LED video light panels aren’t made equally — particularly in regards to flickering. The exact same thought applies to other facets of the lights too, for example build quality, characteristics, and colour casting. Let us concentrate on this last point (color projecting) because it appears to be another significant problem for several panels.

Much like fluorescent light, LED panels tend to be more likely to outputting light using a small color cast that may make skin tones along with other components read curiously on camera. Color correction may resolve this to a level, however if you’re shooting with LED panels frequently it would be much better to really have panels which don’t suffer with this matter. Do your homework online prior to purchasing an LED kit and be certain that you get something which’s quality. You could have the ability to eliminate purchasing knock off or cheap versions of tungsten lights, however when it has to do with LEDs, you truly do get what you pay for.

3. Avoid mixing color temperatures unnecessarily

Many newer LED panels now provide you with the choice of mixing colour temperatures between daylight and sunlight. Quite simply, they will have two distinct sets of LED bulbs (one tungsten colour, 1 daytime shade), and you can’t just decide to use both of them, however you can utilize either in unison with one another. This is an wonderful feature to have, but in precisely the exact same time it’s among the most often abused attributes on LED panels.

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As indie filmmakers we occasionally wind up shooting in mixed lighting conditions. Without large light budgets, we occasionally must take within an environment where there’s daylight spilling to a window and hot tungsten lighting indoors. LED panels appear to offer you a solution for this by enabling you to dial in a really particular color temperature. Therefore, for example, rather than being stuck with either 3200 or even 5600, you can select 4000 (or another number for that thing).

This may be a life saver in certain shooting conditions, but you have to be somewhat cautious when shooting this manner. Frequently, inexperienced filmmakers/DPs will correct the colour balance within shot to shot, and will end up with scene/footage which just does not match. It is quite simple to make the mistake of messing about with all the dials too much so constantly be quite careful about the way you approach and keep your colour temperature.

If you want to invest some more time at LED Land, check out these posts

How to Produce a 1000 Watt Equivalent LED Panel
Lighting for Video

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